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Ron Gallagher

Welcome to my Website and Gallery

Drawing Audrey

March 10, 2015 by Ron 2 Comments

Recognition

Comments

  1. Ron says

    March 24, 2015 at 8:50 am

    I think I chose the back and white photograph of Audrey Hepburn siting in a chair for the twin-mes to draw because I have used the photograph before in my Velasquez painting.
    http://alisongoodman.com.au/ron/portfolio-selection/nggallery/image/las-meninas-with-ron-alison-and-xander
    I also think it evokes the art school practice of getting students to draw white statues and still-life of assorted white-painted objects.
    http://bob.machighway.com/~christ17/ADVANCED_LEVEL_ART/Still_life_set-up_files/2basic-forms-photoBW-filtered.jpg
    When I was considering the kinds of matrix representations (see The Matrices post) of my 20 objects (e.g. line sketch, B&W photo, colour drawing etc) I toyed with the idea of a a matrix of the object painted white (I was really looking forward to all that modelling). I now think that this might be a mistake. The black and white sketches are not sketches of white objects. When I made the sketches I had in mind an actual full colour 3D object, and in the case of the animals a smelly, furry or feathery warm body. The sketch omits the colour because any depiction can only ‘selectively commit’ to representing properties of the depicted object or object type. A drawing of a duck is not a decoy duck (see Flint Schier). Any medium you choose to use as a mode of representation will selectively commit to properties of the object such as size, colour, texture, tone and 3Dness. Line drawings omit tone, color and 3Dness.

    Reply
  2. Alison says

    March 25, 2015 at 10:59 pm

    Hi Ron I am speaking my mind.

    Reply

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